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Jill Heinerth (born 1965) is a Canadian cave diver, underwater explorer, writer, photographer and film-maker. [4] She has made TV series for PBS, National Geographic Channel and the BBC, consulted on movies for directors including James Cameron, written several books and produced documentaries including We Are Water [5] and Ben's Vortex, about the disappearance of Ben McDaniel.
The crash also claimed the life of Australian filmmaker Andrew Wight. [8] [9] [10] Marine biologist Edith Widder dedicated her 2013 TED talk detailing the first filming of the giant squid to his memory. [11] In 2016, production began on a feature-film documentary about his life and work titled Diving Deep: The Life and Times of Mike deGruy. [12]
Pages in category "Underwater filmmakers" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. A.
An underwater filmmaker who journeyed to the depths of the ocean in 2021 on the now-missing submersible ... Pointing out that the expedition coincided with his own personal and career interests ...
Aquanauts could reside and work in these underwater habitats. Front-end engineering has started in 2022 with the habitat planned for the sea bottom in 2025. [29] In October 1997, an underwater plaque honoring Jacques Cousteau was placed in the underwater dive park off Casino Point in Avalon, California. In November 2020, due to deterioration ...
Scott J. Cassell (born March 16, 1962) [1] is an American explorer, underwater filmmaker and counter-terrorism operative. [2] His documentary credits include over thirty-five programs for the Disney Channel, MTV (), Spike TV, the Discovery Channel, Animal Planet, the Space, the BBC and the History Channel. [3]
Apr. 24—Underwater filmmaker Jonathan Bird, whose office and studios are in North Andover, has a professional relationship with marine life. and a tacit agreement. "I don't eat them, and they ...
Riefenstahl played with the idea of slow motion, underwater diving shots, extremely high and low shooting angles, panoramic aerial shots, and tracking system shots for allowing fast action. Riefensthal also "reversed the film to make the divers turn backwards, holding them in the air as if to defy the laws of gravity". [ 38 ]