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The rhetorical modes (also known as modes of discourse) are a broad traditional classification of the major kinds of formal and academic writing (including speech-writing) by their rhetorical (persuasive) purpose: narration, description, exposition, and argumentation.
As noted by Eckert and Rickford, [11] in sociolinguistic literature terms style and register sometimes have been used interchangeably. Also, various connotations of style are a subject of study in stylistics. Style-shifting is a manifestation of intraspeaker (within-speaker) variation, in contrast with interspeaker (between-speakers) variation.
Ben Jonson's Execration Upon Vulcan, one of the first recorded forms of the plain style in English literature. The plain style in literature, otherwise referred to as the 'low style', is the most common form of communication in the English language. It is a form of rhetoric which expresses a message very clearly to convey a direct meaning. The ...
Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and spoken language with regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals in different situations and settings.
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as".A simile is a comparison used to attract the reader's attention and describe something in descriptive terms.
Uses of figurative language, or figures of speech, can take multiple forms, such as simile, metaphor, hyperbole, and many others. [10] Merriam-Webster's Encyclopedia of Literature says that figurative language can be classified in five categories: resemblance or relationship, emphasis or understatement, figures of sound, verbal games, and errors.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Matthew Arnold, an English poet and cultural critic, described what he termed the grand style in a series of lectures he gave: On Translating Homer. He described the grand style as difficult to render, arguing this fact as evidence of the Iliad having been written entirely by Homer. He said that rather than by tangible features, the style could ...