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E major 1838 Piano, etude 1st version S.141/4 140/4b A 52/4b Arpeggio: pf E major 1838 Piano, etude 1st version S.141/4 140/5 A 52/5 La chasse: pf E major 1838 Piano, etude 1st version of S.141/5 140/6 A 52/6 Tema con Variazioni: pf A minor 1838 Piano, etude 1st version of S.141/6 141 A173 Grandes études de Paganini: pf 1851 Piano, etude
Piano Library: Frédéric Chopin Complete list of Chopin piano works with musical extracts, difficulty ratings and recommended editions. The Chopin Project has more information, links, resources, and audio on demand of Chopin's solo keyboard works. PDF Sheet Music from the Mutopia Project
Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music. The Hungarian Rhapsodies were to be rejected because of the triviality of their melodies. It is obvious that Bartók himself did not like much of Liszt's piano works. Taking his point of view, the agreeable part was very small.
Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
The first of the Consolations is in E major and initially marked Andante con moto. The shortest of the set, consisting of just 25 measures, it has an identical opening to another of Liszt's works, the Album-Leaf (Première Consolation), S. 171b. [23] Consolation No. 2 is also in E major and is initially marked Un poco più mosso. It is often ...
Piano Concerto No. 3 in E minor, Op. 60 (1940–43) Henryk Melcer-Szczawiński. Concerto for Piano and Orchestra No. 1 in E minor (1895) Concerto for Piano and Orchestra No. 2 in C minor (1898) Felix Mendelssohn. Piano Concerto in A minor (1822) Concerto in E for two pianos (1823) Concerto in A-flat for two pianos (1824)
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
Composer Franz Liszt even insisted that Chopin's nocturnes were influenced by Vincenzo Bellini's bel canto arias, [11] a statement affirmed and echoed by many in the music world. A further innovation of Chopin's was his use of counterpoint to create tension in the nocturnes, a method that even further expanded the dramatic tone and feel of the ...