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Orfeo ed Euridice ([orˈfɛ.o e.d‿ewˈri.di.t͡ʃe]; French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi.
Euridice, an opera by Giulio Caccini with librettist Ottavio Rinuccini (1602) L'Orfeo, the first opera by Monteverdi (1607) Orfeo, an opera by Luigi Rossi (1647) Orpheus, an opera by Georg Philipp Telemann (1726) Orpheus and Euridice, an ode by William Hayes (1735) Orfeo ed Euridice, an opera by Christoph Willibald Gluck (1762)
1762 – Christoph Willibald Gluck – Orfeo ed Euridice (French version, Orphée et Euridice, 1774) 1767 – François-Hippolyte Barthélémon – The Burletta of Orpheus; 1775 – Antonio Tozzi – Orfeo ed Euridice; 1776 – Ferdinando Bertoni – Orfeo ed Euridice (to the same libretto as Gluck's more famous work) 1781 – Luigi Torelli ...
L'Orfeo (SV 318) (Italian pronunciation: [lorˈfɛːo]), or La favola d'Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.
Claudio Monteverdi's L'Orfeo (1607) Luigi Rossi's Orfeo (1647) Marc-Antoine Charpentier's La descente d'Orphée aux enfers H.488 (1686). Charpentier also composed a cantata, Orphée descendant aux enfers H.471, (1683) Christoph Willibald Gluck's Orfeo ed Euridice (1762) Joseph Haydn's last opera L'anima del filosofo, ossia Orfeo ed Euridice (1791)
In his work, Monteverdi incorporates the "speech-song" or recitative first used in Jacopo Peri's opera Dafne and Giulio Caccini's Euridice, both direct precursors of L'Orfeo, and adds solo arias, duets, ensembles, dances and instrumental interludes.
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L'anima del filosofo, ossia Orfeo ed Euridice (The Soul of the Philosopher, or Orpheus and Euridice), Hob. 28/13, is an opera in Italian in four acts by Joseph Haydn and is one of the last two operas written during his life, the other being Armida (1783).The libretto, by Carlo Francesco Badini, is based on the myth of Orpheus and Euridice as told in Ovid's Metamorphoses.