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"London" is a poem by William Blake, published in the Songs of Experience in 1794. It is one of the few poems in Songs of Experience that reflects a constrained or bleak view of the city. Written during the time of significant political and social upheaval in England, the poem expresses themes of oppression , poverty , and institutional ...
"The Chimney Sweeper" is the title of a poem by William Blake, published in two parts in Songs of Innocence in 1789 and Songs of Experience in 1794. The poem "The Chimney Sweeper" is set against the dark background of child labour that was prominent in England in the late 18th and 19th centuries.
"The Tyger" is a poem by the English poet William Blake, published in 1794 as part of his Songs of Experience collection and rising to prominence in the romantic period. The poem is one of the most anthologised in the English literary canon , [ 1 ] and has been the subject of both literary criticism and many adaptations, including various ...
Title page of Poetical Sketches. Poetical Sketches is the first collection of poetry and prose by William Blake, written between 1769 and 1777.Forty copies were printed in 1783 with the help of Blake's friends, the artist John Flaxman and the Reverend Anthony Stephen Mathew, at the request of his wife Harriet Mathew.
London (Samuel Johnson poem) London (William Blake poem) "London, 1802", poem by William Wordsworth; London, a non-fiction book by Steen Eiler Rasmussen, published in Danish in 1934, in English as London, the Unique City in 1937; London, by Edward Rutherfurd
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
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The prophetic books of the 18th-century English poet and artist William Blake are a series of lengthy, interrelated poetic works drawing upon Blake's own personal mythology. They have been described by 20th-century critic Northrop Frye as forming "what is in proportion to its merits the least read body of poetry in the English language". [1]