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The Best American Poetry 1990 book cover. The Best American Poetry 1990, a volume in The Best American Poetry series, was edited by David Lehman and by guest editor Jorie Graham. The book contains seventy-five poems with a range of poet-authors from a college freshman to the 1990 United States Poet Laureate. David Lehman publicly commented that ...
and "Lilacs" Whitman's two most famous poems. [69] The scholar William Pannapacker called "My Captain" the most popular poem ever written on Lincoln. [70] Drum-Taps and Sequel received mixed reviews from critics following their publication. [71] Some poems were generally praised; particularly "My Captain!" and, to a lesser extent, "Lilacs". [72]
Julia Harris May (April 27, 1833 – May 6, 1912) was an American poet, teacher, and school founder of the long nineteenth century. She spent several years teaching in the south. From 1868, she was the head of a private school in Strong, Maine. Her poems appeared extensively in the leading religious and literary journals of the United States. [1]
Ernest Lawrence Thayer (/ ˈ θ eɪ ər /; August 14, 1863 – August 21, 1940) was an American writer and poet who wrote the poem "Casey" (or "Casey at the Bat"), which is "the single most famous baseball poem ever written" according to the Baseball Almanac, [1] and "the nation’s best-known piece of comic verse—a ballad that began a native legend as colorful and permanent as that of ...
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...
The post has been liked more than 700,000 times. Followers commended the poet for putting their feelings of grief, fear and anger into words. "Grateful for your words when words feel impossible ...
"After the Ball", which was sometimes printed under the title of "Madge and Maud", was afterwards incorporated in a book with other poems, published in Boston in 1874, but the many verses that Perry wrote since that time, never faded from the memory of her readers the picture of the two maidens, who,— [4]
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