Search results
Results From The WOW.Com Content Network
This is a list of Advanced Dungeons & Dragons 2nd-edition monsters, an important element of that role-playing game. [1] [2] [3] This list only includes monsters from official Advanced Dungeons & Dragons 2nd Edition supplements published by TSR, Inc. or Wizards of the Coast, not licensed or unlicensed third-party products such as video games or unlicensed Advanced Dungeons & Dragons 2nd Edition ...
"The Six Platonic Solids", an image that humorously adds the Utah teapot to the five standard Platonic solids. One famous ray-traced image, by James Arvo and David Kirk in 1987, [16] shows six stone columns, five of which are surmounted by the Platonic solids (tetrahedron, cube, octahedron, dodecahedron, icosahedron).
Brahmagupta also managed to use abbreviations for square roots and cube roots. [173] By the 7th century fractions were written in a manner similar to the modern times, except for the bar separating the numerator and the denominator. [173] A dot symbol for negative numbers was also employed. [173]
Calvin Cordozar Broadus Jr. was born on October 20, 1971, in Long Beach, California, to Beverly Tate (1951–2021) and Vernell Varnado. [16] [17] Varnado, who was a Vietnam War veteran, singer, and mail carrier, left the family only three months after Broadus' birth, and thus he was named after his stepfather, Calvin Cordozar Broadus Sr. (1948–1984). [18]
Internet phenomena are social and cultural phenomena specific to the Internet, such as Internet memes, which include popular catchphrases, images, viral videos, and jokes. When such fads and sensations occur online, they tend to grow rapidly and become more widespread because the instant communication facilitates word of mouth transmission.
Aubrey Drake Graham [16] was born on October 24, 1986, in Toronto, Ontario.His father, Dennis Graham, is an African-American drummer from Memphis, Tennessee, who once performed with musician Jerry Lee Lewis.
According to the art historian, Jonathan Fineberg, the ecosocial movement that transformed Williamsburg, Brooklyn in the 1990s was devoted to "a richer, more dynamically interacting whole," [2] and explored new forms of interconnected art and culture in the streets, rooftops, abandoned warehouses and local media networks. [1]