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No self-portraits were listed in the famous 1656 inventory, [14] and only a handful of the paintings remained in the family after his death. [15] Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse
B21, Self-portrait leaning on a Sill, etching, 1639, 2 states. The pose draws on portraits by Titian and Raphael, A Man with a Quilted Sleeve (NG, London) and Portrait of Baldassare Castiglione (Louvre) respectively. [1] Self-Portrait at the Age of 34 is a self-portrait by Rembrandt, dating to 1640 and now in the National Gallery in London.
Self-portrait: c. 1640: Oil on panel: 72.2 x 58.3: Thyssen-Bornemisza Museum, Madrid: 178: The panel was slightly cropped later; the roughly blocked out hand was revealed during a restoration. Originally it must have been painted out by Rembrandt himself Self-Portrait at the Age of 34: 1640: Oil on canvas: 93 x 80: National Gallery, London: 179
Self-portrait in a cap, with eyes wide open , is often used on the covers of publications on Rembrandt's engraved work, such as the one in the Musée du Petit Palais.: [1] The Dutch Golden Age painter Rembrandt was a prolific printmaker throughout his career, and is universally regarded as one of the greatest creators of old master prints.
Rembrandt Laughing is a c. 1628 oil on copper painting by the Dutch painter Rembrandt van Rijn. It is an elaborate study of a laughing face, a tronie , and, since it represents the painter himself, one of over 40 self-portraits by Rembrandt , probably the earliest elaborate one.
Rembrandt. Self Portrait, c. 1655. Oil on panel, 48.9 x 40.2 cm. Kunsthistorisches Museum. Self Portrait (or The Large Self-Portrait) [1] is an oil-on-canvas painting by the Dutch artist Rembrandt. Painted in 1652, it is one of more than 40 painted self-portraits by Rembrandt, and was the first he had painted since 1645. [2]
Self-Portrait (Frick, Rembrandt) Self-Portrait (Rembrandt, Altman) Self-portrait (Rembrandt, Indianapolis) Self-Portrait (Rembrandt, Vienna) Self-Portrait as the Apostle Paul; Self-Portrait as Zeuxis Laughing; Self-Portrait at the Age of 34; Self-Portrait at the Age of 63; Self-Portrait in a Gorget; Self-Portrait Wearing a White Feathered Bonnet
Rembrandt's followers endlessly emulated his self-portraits, creating a whole subgenre eagerly sought by collectors. [4] Another, more quotidian explanation that has been offered for Rembrandt's predilection for self-portraits is that they eliminated the need to hire a professional model, a factor that would have been especially appealing when ...