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The Very Best of Chicago: Only the Beginning is a double greatest hits album by the American band Chicago, their twenty-seventh album overall.Released in 2002, this collection marked the beginning of a long-term partnership with Rhino Entertainment which, between 2002 and 2005, would remaster and re-release Chicago's 1969–1980 Columbia Records catalog.
The Best of Chicago: 40th Anniversary is a double greatest hits album, and the thirty-first album overall, by American rock band Chicago, released by Rhino Records on October 2, 2007. It consists of two discs containing 30 of Chicago's top 40 singles.
Greatest Hits 1982–1989 is the third greatest hits album by the American band Chicago, released by Full Moon/Reprise Records on November 21, 1989. [1] It became one of Chicago's biggest selling albums, having been certified five times platinum in the United States.
Chicago is an American rock band formed in 1967 in Chicago, Illinois.The self-described "rock and roll band with horns" began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, generating several hit ballads.
Chicago IX: Chicago's Greatest Hits is the first greatest hits album, and ninth album overall, by the American band Chicago and was released in 1975 by Columbia Records in both stereo (PC 33900) and SQ quadraphonic (PCQ 33900) versions.
Chicago's music scene has been well known for its blues music for many years. "Chicago Blues" uses a variety of instruments in a way which heavily influenced early rock and roll music, including instruments like electrically amplified guitar, drums, piano, bass guitar and sometimes the saxophone or harmonica, which are generally used in Delta blues, which originated in Mississippi.
Classic Rock Review says the song is "one of the most indelible Chicago tunes". [14] In 2019, Bobby Olivier and Andrew Unterberger, music critics for Billboard magazine, ranked the song number one on their list of "The 50 Best Chicago Songs". [15] Guitar World rated "25 or 6 to 4" No. 22 for "greatest wah solos of all time." [16]
This sequel, Volume II, featured bare-bones album artwork consisting of a collage of photos from around the city of Chicago. The album lacked liner notes and was the only Chicago album not to have its own rendition of the band's distinctive logo; a small picture of the logo from the band's second album appears in the center of the collage.