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Female Chinese beauty standards have become a well-known feature of Chinese culture.A 2018 survey conducted by the Great British Academy of Aesthetic Medicine concluded that Chinese beauty culture prioritizes an oval face shape, pointed, narrow chin, plump lips, well defined Cupid's bows, and obtuse jaw angle. [1]
One of the earliest references to qualities later associated with the canonical Four Great Beauties appears in the Zhuangzi.In one chapter, the women Mao Qiang and Lady Li are described as "great beauties" who "when fish see them they dart into the depths, when birds see them they soar into the skies, when deer see them they bolt away without looking back".
In ancient China, pale skin was seen as a prerequisite for beauty for both men and women, and it was also a marker of one's place in the social class system. [28] However, according to recent research, tan-colored skin has emerged as the new feminine beauty ideal, with many Chinese women now viewing their tanned skin as healthier and more ...
The strict division of the sexes, apparent in the policy that "men plow, women weave" (Chinese: 男耕女織), partitioned male and female histories as early as the Zhou dynasty, with the Rites of Zhou (written at the end of the Warring States Period), even stipulating that women be educated specifically in "women's rites" (Chinese: 陰禮 ...
Xi Shi as depicted in the album Gathering Gems of Beauty (畫麗珠萃秀). Xi Shi (Hsi Shih; Chinese: 西施; pinyin: Xī Shī; Wade–Giles: Hsi 1 Shih 1, lit. ' (Lady) Shi of the West '), also known by the nickname Xizi, was one of the renowned Four Beauties of ancient China.
A typical image of tree peony in ancient China. Tree peony, because of its large and gorgeous flowers, is often regarded as a symbol of prosperity, splendor, wealth and rank. It is also an essential symbol of the glorious and prosperous age of the Tang dynasty. Usually, its beauty gives a graceful, noble impression to people. [4]
A Tang dynasty tomb decorated with colorful murals is providing a new glimpse into daily life in China during the 8 th century. Most interestingly, the murals show signs of Western influence ...
The Eight Beauties of Qinhuai (Chinese: 秦淮八艳; pinyin: Qínhuái Bāyàn), also called the Eight Beauties of Jinling (Chinese: 金陵八艳), were eight famous Yiji or Geji during the Ming-Qing transition period who resided along the Qinhuai River in Nankin (now Nanjing, Jiangsu Province, China). As well as possessing great beauty, they ...