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The Shade of Tiresias Appearing to Odysseus during the Sacrifice (c. 1780–85), painting by Johann Heinrich Füssli, showing a scene from Book Ten of the Odyssey. In poetry and literature, a shade (translating Greek σκιά, [1] Latin umbra [2]) is the spirit or ghost of a dead person, residing in the underworld.
Hades (/ ˈ h eɪ d iː z /; Ancient Greek: ᾍδης, romanized: Hā́idēs, Attic Greek: [háːi̯dεːs], later [háːdεːs]), in the ancient Greek religion and mythology, is the god of the dead and the king of the underworld, with which his name became synonymous. [2]
The Greeks call them σκιαπόδες ("shade-footed ones") because when it is hot they lie on their backs on the ground and are shaded by the great size of their foot. [ 4 ] The Hereford Mappa Mundi , drawn c. 1300, shows a sciapod on one side of the world, [ 5 ] as does a world map drawn by Beatus of Liébana (c. 730 – c. 800).
Goethe's Ankunft im Elysia by Franz Nadorp. Elysium (/ ɪ ˈ l ɪ z i. ə m, ɪ ˈ l ɪ ʒ ə m / [1]), otherwise known as the Elysian Fields (Ancient Greek: Ἠλύσιον πεδίον, Ēlýsion pedíon), Elysian Plains or Elysian Realm, is a conception of the afterlife that developed over time and was maintained by some Greek religious and philosophical sects and cults.
In Greek and Roman mythology, Creusa (Ancient Greek: Κρέουσα, romanized: Kreousa) is the wife of Aeneas, and the mother of Ascanius. According to Apollodorus, she is the daughter of Priam and Hecuba. She is described as being present during the sack of Troy, with her often fleeing the city alongside her husband.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
For later Greek poets the very ancient pre-Homeric association of the asphodel flower with a positive form of afterlife as well as the enlarged role of Elysium as it became the destination of more than just a few lucky heroes, altered the character of the meadows. Greek poets who wrote after Homer's time describe them as untouched, lovely, soft ...
The term shade in classical mythology translates Greek σκιά, [22] or Latin umbra, [23] in reference to the notion of spirits in the Greek underworld. The term poltergeist is a German word, literally a "noisy ghost", for a spirit said to manifest itself by invisibly moving and influencing objects.