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The Shade of Tiresias Appearing to Odysseus during the Sacrifice (c. 1780–85), painting by Johann Heinrich Füssli, showing a scene from Book Ten of the Odyssey. In poetry and literature, a shade (translating Greek σκιά, [1] Latin umbra [2]) is the spirit or ghost of a dead person, residing in the underworld.
The Greeks call them σκιαπόδες ("shade-footed ones") because when it is hot they lie on their backs on the ground and are shaded by the great size of their foot. [ 4 ] The Hereford Mappa Mundi , drawn c. 1300, shows a sciapod on one side of the world, [ 5 ] as does a world map drawn by Beatus of Liébana (c. 730 – c. 800).
In Greek and Roman mythology, Creusa (Ancient Greek: Κρέουσα, romanized: Kreousa) is the wife of Aeneas, and the mother of Ascanius. According to Apollodorus, she is the daughter of Priam and Hecuba. She is described as being present during the sack of Troy, with her often fleeing the city alongside her husband.
Jason (/ ˈ dʒ eɪ s ən / JAY-sən; Ancient Greek: Ἰάσων, romanized: Iásōn [i.ǎːsɔːn]) was an ancient Greek mythological hero and leader of the Argonauts, whose quest for the Golden Fleece is featured in Greek literature. He was the son of Aeson, the rightful king of Iolcos.
In classical mythology, the Cap of Invisibility (Ἅϊδος κυνέη (H)aïdos kyneē in Greek, lit. dog-skin of Hades) is a helmet or cap that can turn the wearer invisible, [1] also known as the Cap of Hades or Helm of Hades. [2] Wearers of the cap in Greek myths include Athena, the goddess of wisdom, the messenger god Hermes, and the hero ...
Achilles' sacrifice of Trojan prisoners, 4th-century BC fresco from Vulci.The eidolon of Patroclus is second from left.. In ancient Greek literature, an eidolon (/ aɪ ˈ d oʊ l ɒ n /; [1] Ancient Greek: εἴδωλον 'image, idol, double, apparition, phantom, ghost'; plural: eidola or eidolons) is a spirit-image of a living or dead person; a shade or phantom look-alike of the human form.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Coeus was an obscure figure, [4] and like most of the Titans he played no active part in Greek mythology—he appears only in lists of Titans [5] —but was primarily important for his descendants. [6] With his sister, "shining" Phoebe, Coeus fathered two daughters, Leto [7] [8] and Asteria. [9]