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It was released as a double A-side single with Moby's song "I Feel It" in the United States, serving as the fourth and final single released from his self-titled debut album. "Thousand" was listed in Guinness World Records for having the second fastest tempo in beats-per-minute (BPM) of any released single, peaking at approximately 1,015 BPM. [1]
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. [1] It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high tempo used. Songs are usually classified as speedcore at around 300+ beats per minute (BPM), but this can vary. [3]
A 240 bpm track, for example, matches the beat of a 120 bpm track without slowing down or speeding up, because both have an underlying tempo of 120 quarter notes per minute. Thus, some soul music (around 75–90 bpm) mixes well with a drum and bass beat (from 150 to 185 bpm).
Chopped and screwed (also called screwed and chopped or slowed and throwed) is a music genre and technique of remixing music that involves slowing down the tempo and DJing. It was developed in the Houston , Texas, hip hop scene in the early 1990s by DJ Screw .
Jersey club (originally called Brick City club [1]) is a style of electronic club music that originated in Newark, New Jersey, in the early 2000s.It was pioneered by DJ Tameil, Mike V, DJ Tim Dolla, and DJ Black Mic of the Brick Bandits crew, who were inspired by Baltimore club's uptempo hybrid of house and hip hop.
"Find You" is a song by German musician and producer Zedd from the soundtrack to the film ... The music video for "Find You" was uploaded to YouTube on 16 March 2014 ...
"Magnetic" is a song recorded by South Korean girl group Illit for their debut extended play Super Real Me. Written by its producers Slow Rabbit, Bang Si-hyuk , and Martin, it was released as the EP's lead single by Belift Lab on March 25, 2024.
Raggacore is a style of music derived from ragga jungle that somewhat predates breakcore, characterized by ragga and dancehall rhythms and vocals. [15] Its roots can arguably be traced back to jungle producer Remarc, who was one of the first producers to mix ragga and dancehall vocals with chaotic and intricately rearranged break beats.