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Amalia Hernández Navarro (September 19, 1917 – November 4, 2000) was a Mexican ballet choreographer and founder of the Ballet Folklórico de México. [ 1 ] [ 2 ] [ 3 ] Hernández was born to the military officer and politician Lamberto Hernández and his wife Amalia Navarro.
Concert program cover of performance of the ballet at the University of Michigan in 1963. Ballet Folklórico de México is a Mexican folkloric ensemble in Mexico City.For six decades, it has presented dances in costumes reflecting the traditional culture of Mexico.
In the case of Ballet Folklorico, that involves western techniques brought in through Amalia Hernandez, whose own upbringing and dance education was multicultural and international. She learned ballet from Russian and French teachers and “studied indigenous and regional Mexican dance, tap, modern” and other dance forms. [ 6 ]
The Folkloric Ballet School was founded by Agustín Hernández Navarro's choreographer sister Amalia Hernández and constructed in the Colony Guerrero, Mexico City. The structure which houses two rehearsal rooms, an office and a theatre, references the slope of a Pre-Columbian pyramid base while asserting itself as a modern piece of architecture.
Mari Sano (Aichi, Seto, b. 17 June 1968) is a Japanese artist and composer working in multiple media, including the charango, the ocarina, percussion and photography.She lives in Mexico and Argentina.
Tras la Tormenta (transl. "After the Storm") It is the fifth and last studio album made between the American singer Willie Colón and the Panamian Songwriter Rubén Blades.It was released on January 31, 1995, through Sony Tropical, Epic Records and Columbia Records.