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In Western art, fungi have been historically connoted with negative elements, whereas Asian art and folk art are generally more favorable towards fungi. British mycologist William Delisle Hay, in his 1887 book An Elementary Text-Book of British Fungi, [1] [2] describes Western cultures as being mycophobes (exhibiting fear, loathing, or hostility towards mushrooms).
In fact, working with fungi allows contemporary artists to create art that is interactive and performative. [5] The Garden of Earthly Delights by Hieronymus Bosch. Mushroom symbolism has also appeared in Christian paintings. The panel painting by Hieronymus Bosch, The Haywain Triptych, is considered the first depiction of mushroom in modern art ...
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A fairy ring (possibly Chlorophyllum molybdites) on a suburban lawn in Brisbane, Queensland, Australia. A fairy ring, also known as fairy circle, elf circle, elf ring [1] or pixie ring, is a naturally occurring ring or arc of mushrooms. [2]
R. Gordon Wasson's book Soma prints a letter from art historian Erwin Panofsky asserting that art scholars are aware of many "mushroom trees" in Christian art. [62] The question of the extent of visionary plant use throughout the history of Christian practice has barely been considered yet by academic or independent scholars.
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