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"Rip Van Winkle" (Dutch pronunciation: [ˈrɪp fɑŋ ˈʋɪŋkəl]) is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their strong liquor and falls deeply asleep in the Catskill Mountains.
The Headless Horseman Pursuing Ichabod Crane (1858) by John Quidor. The story was the longest one published as part of The Sketch Book of Geoffrey Crayon, Gent. (commonly referred to as The Sketch Book), which Irving issued serially throughout 1819 and 1820, using the pseudonym "Geoffrey Crayon". [2]
The Sketch Book introduced three of Irving's most enduring and iconic characters, Rip Van Winkle, Ichabod Crane, and the Headless Horseman. One of the most significant influences of The Sketch Book came from its cycle of five Christmas stories, portraying an idealized and old-fashioned Yule celebration at an English country manor.
Irving composed the short story "Rip Van Winkle" overnight while staying with his sister Sarah and her husband, Henry van Wart, in Birmingham, England, a place that inspired other works as well. [32] In October 1818, Irving's brother William secured for Irving a post as chief clerk to the United States Navy and urged him to return home. [33]
A time slip is a plot device in fantasy and science fiction in which a person, or group of people, seem to travel through time by unknown means. [12] [13] The idea of a time slip has been used in 19th century fantasy, an early example being Washington Irving's 1819 Rip Van Winkle, where the mechanism of time travel is an extraordinarily long sleep. [14]
The story was part of the inspiration for American writer Washington Irving's 1819 short story "Rip Van Winkle". [ 2 ] Wikisource has original text related to this article:
Rip's Dream is based on two sources: the original 1819 "Rip Van Winkle" story by Washington Irving, and the 1882 operetta version of Rip Van Winkle (with music by Robert Planquette and libretto by Henri Meilhac, Philippe Gille, and Henry Brougham Farnie). [1] Two elements, the mysterious snake and the village idiot, are Méliès's own creations ...
Although acknowledged as an accomplished black-and-white book illustrator for some years, it was the publication of his full-colour plates to Washington Irving's Rip Van Winkle by Heinemann in 1905 that particularly brought him into public attention, his reputation being confirmed the following year with J.M.Barrie's Peter Pan in Kensington ...