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The Gongman film logo sequence depicts a man striking a huge gong with a deep resonant sound. The gongs used in the sequence were props made of plaster or papier-mâché. The sound came from James Blades striking a real gong—specifically a Chinese instrument called a tam tam that was much smaller than the prop. During the sequence, the text ...
A Pasi gong is a medium-size gong 30 to 40 cm (12 to 15 in) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance, play or magic. It is used traditionally to announce the start of a performance, play or magic.
Continental Circus is the original soundtrack album of the 1972 French documentary film of the same name directed by Jérôme Laperrousaz. Released in April 1972 on Philips Records, the album is credited to "Gong avec Daevid Allen" and was recorded and mixed in two days in the spring of 1971, a few months before the band's 1971 album Camembert Electrique was made. [2]
Flying Teapot is the third studio album by the progressive rock band Gong, originally released by Virgin Records in May 1973. It was the second entry in the Virgin catalogue (V2002) and was released on the same day as the first, Mike Oldfield's Tubular Bells (V2001).
The ringing pattern is known as ring cadence, in which the high voltage ring current is switched on and off to create the pattern. In North America, the standard ring cadence is two seconds of ringing followed by four seconds of silence. In Australia and the UK, the standard ring cadence is 400 ms on, 200 ms off, 400 ms on, 2000 ms off.
Gazeuse! (French for 'Sparkling!', 'Fizzy!' or 'Effervescent!') is the seventh album released under the name Gong and the de facto debut album by Pierre Moerlen's Gong.It was released in late 1976.
Leave It Open is the fifth studio album by Pierre Moerlen's Gong.It was released in 1981. [1]Featuring an all-instrumental jazz-driven sound, notable for the prominent use of vibraphone, it has little to do with the psychedelic space rock of Daevid Allen's Gong, even though the two bands share a common history.
Featuring a mostly instrumental jazz-driven sound, notable for the prominent use of vibraphone, it has little to do with the psychedelic space rock of Daevid Allen's Gong, even though the two bands share a common history. Downwind marks a slight departure from the formula of the previous de facto Pierre Moerlen's Gong's albums, Gazeuse! and ...