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Embodiment theory speaks to the ways that experiences are enlivened, materialized, and situated in the world through the body.Embodiment is a relatively amorphous and dynamic conceptual framework in anthropological research that emphasizes possibility and process as opposed to definitive typologies. [1]
Symbolists believed that art should aim to capture more absolute truths which could be accessed only by indirect methods. They used extensive metaphor, endowing particular images or objects with symbolic meaning. They were hostile to "plain meanings, declamations, false sentimentality and matter-of-fact description". [39] [40]
In Western philosophy, Primitivism proposes that the people of a primitive society possess a morality and an ethics that are superior to the urban value system of civilized people. [1] In European art, the aesthetics of primitivism included techniques, motifs, and styles copied from the arts of Asian, African, and Australasian peoples perceived ...
The principal motivation of the Nazarenes was a reaction against Neoclassicism and the routine art education of the academy system. They hoped to return to art that embodied spiritual values, and sought inspiration in artists of the Late Middle Ages and early Renaissance , rejecting what they saw as the superficial virtuosity of later art.
Philosopher Theodore Schatzki suggests there are two varieties of posthumanism of the philosophical kind: [18]. One, which he calls "objectivism", tries to counter the overemphasis of the subjective, or intersubjective, that pervades humanism, and emphasises the role of the nonhuman agents, whether they be animals and plants, or computers or other things, because "Humans and nonhumans, it ...
Power and Virtue: The Horse in Chinese Art. Art Media Resources, 1997. Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin. Princeton University Press, 1998. The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection. Art Museum at Princeton University, 1999. The Landscape of Words. University of ...
The fully grown homunculus was supposedly greatly skilled in "art" and can create giants, dwarves, and other marvels, as "Through art they are born, and therefore art is embodied and inborn in them, and they need learn it from no one." [4] Comparisons have been made with several similar concepts in the writings of earlier alchemists.
In the sociological sense, recuperation is the process by which politically radical ideas and images are twisted, co-opted, absorbed, defused, incorporated, annexed or commodified within media culture and bourgeois society, and thus become interpreted through a neutralized, innocuous or more socially conventional perspective.