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Two weeks after release, the song was #7 nationally in record sales and #10 in sheet music sales. [3] The Victor Records 78 single peaked at #3 on the Billboard singles chart that year with a chart run of eight weeks. [4] At years' end the song remained on several top 100 lists. [5]
In rock and blues, musicians also often refer to chord progressions using Roman numerals, as this facilitates transposing a song to a new key. For example, rock and blues musicians often think of the 12-bar blues as consisting of I, IV, and V chords. Thus, a simple version of the 12-bar blues might be expressed as I–I–I–I, IV–IV–I–I ...
"You Couldn’t Be Cuter" - lyrics by Dorothy Fields - from the 1938 film Joy of Living [70] "You Were Never Lovelier" - lyrics by Johnny Mercer - from the 1942 film of the same name [15] "You're Devastating" - lyrics by Otto Harbach - from the 1933 Broadway musical Roberta [54] "You're Here and I'm Here" - from the musical The Laughing Husband ...
"(Remember Me) I'm The One Who Loves You" is a song written and originally sung by Stuart Hamblen, which he released in 1950. The song was a hit for Ernest Tubb the same year, and Dean Martin in 1965. Johnny Cash also covered it on his 1957 debut album Johnny Cash with His Hot and Blue Guitar!
In late-1992, not long after Jane’s Addiction broke up, Jane’s bassist Eric Avery and guitarist Dave Navarro formed the one-off musical project Deconstruction. In 1994, they released their ...
Consequently, extended chords are often played with the omission of one or more tones, especially the fifth and often the third, [97] [98] as already noted for seventh chords; similarly, eleventh chords often omit the ninth, and thirteenth chords the ninth or eleventh. Often, the third is raised an octave, mimicking its position in the root's ...
"Do It Again" is a song by British rock band the Kinks. Written by lead singer Ray Davies , the song was released as the first track on the Kinks' album, Word of Mouth . Written as an observation on stressful working schedules, the song features an opening guitar chord and echoed vocals.
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F♯, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e