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Kannada poetry dates back many centuries, to before the time of Adikavi Pampa. A revival took place in the early 20th century led by Kuvempu, Dattatreya Ramachandra Bendre, B. M. Srikanthaiah and others. The genre was further developed after Indian independence with poets including Gopalakrishna Adiga
It is widely regarded as a masterpiece of Kannada literature and is referred to as the Bhagavad Gita in Kannada. [1] The title of the work can be translated as "Dull Thimma's Rigmarole". [2] [3] Kagga is a collection of 945 poems, each being four lines in length. Some of these poems are written in old Kannada. Kagga poems are profound as well ...
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
The popularity of poetry is gauged in terms of the response that the educated and interested elite give. But the real popularity of poetry is when common people sing it. Popular appeal is not very easy to achieve for any form of poetry; especially when audiences are not kept in mind. Kannada poetry has a few instances of such mass popularity.
Kokkare Hosahalli Shekh Haider Nissar Ahmed (5 February 1936 – 3 May 2020 [1]) was an Indian poet and writer in the Kannada language. [2] [3] He was awarded the Padma Shri (2008), [4] the Rajyotsava Award (1981) and the Pampa award for his work (2017).
Jayant Kaikini (born 24 January 1955) [1] is a poet, short story writer, playwright, columnist in Kannada and a lyricist and script writer in Kannada cinema.He has published seven short story collections, six poetry collections, four essay collections and three plays so far.
Shunyasampadane (Kannada: ಶೂನ್ಯಸಂಪಾದನೆ Śūnyasampādane) is an anthology of poems in the Kannada language that includes the vachanas and ...
The poem envisages a Karnataka that recognises its position in the comity of Indian states, believes in peaceful co-existence with her sisters, but at the same time maintains her self-respect and dignity from a position of confidence and strength rather than insecurity and fear.