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The main shrine is the Fushimi Inari Shrine on mount Inari (稲荷⼭ Inariyama) in Fushimi, Kyoto, Japan, where the paths up the shrine hill are marked in this fashion. [35] The kitsune statues are at times taken for a form of Inari, and they typically come in pairs, representing a male and a female. [36]
The Fushimi Inari shrine in Kyoto features numerous kitsune statues. Kitsune are often presented as tricksters , with motives that vary from mischief to malevolence. Stories tell of kitsune playing tricks on overly proud samurai , greedy merchants, and boastful commoners, while the crueler ones abuse poor tradesmen and farmers or devout ...
The fox spirit is an especially prolific shapeshifter, known variously as the húli jīng (fox spirit) in China, the kitsune (fox) in Japan, and the kumiho (nine-tailed fox) in Korea. Although the specifics of the tales vary, these fox spirits can usually shapeshift, often taking the form of beautiful young women who attempt to seduce men ...
An Inari shrine (稲荷神社, Inari jinja) is a type of Japanese shrine used to worship the kami Inari. Inari is a popular deity associated with foxes, rice, household wellbeing, business prosperity, and general prosperity.
Fushimi Inari-taisha (Japanese: 伏見稲荷大社) is the head shrine of the kami Inari, located in Fushimi-ku, Kyoto, Kyoto Prefecture, Japan.The shrine sits at the base of a mountain, also named Inari, which is 233 metres (764 ft) above sea level, and includes trails up the mountain to many smaller shrines which span 4 kilometres (2.5 mi) and take approximately 2 hours to walk up. [1]
A pair of komainu, the "a" on the right, the "um" on the left. Komainu (狛犬), often called lion-dogs in English, are statue pairs of lion-like creatures, which traditionally guard the entrance or gate of the shrine, or placed in front of or within the honden (inner sanctum) of Japanese Shinto shrines.
Kuzunoha figures in kabuki and bunraku plays based on her legend, including the five-part Ashiya Dōman Ōuchi Kagami (A Courtly Mirror of Ashiya Dōman).The fourth part, Kuzunoha or The White Fox of Shinoda, which is frequently performed independently of the other scenes, focuses on her story, adding minor variations such as the idea that Kuzunoha imitates a princess and is forced to depart ...
Kimimori Sarashina, a researcher of local stories, summarizes the features of the kitsunebi as follows: in places where there was no presence of fire, mysterious flames like those of a paper lantern or a torch would appear in a line and flicker in and out, with fires that had gone out sometimes appearing in yet another place, so that if one attempted to chase after what was behind all this, it ...