Ad
related to: martin amis books best to worst free agents
Search results
Results From The WOW.Com Content Network
Sir Martin Louis Amis FRSL [1] (25 August 1949 – 19 May 2023) was an English novelist, essayist, memoirist, screenwriter and critic. He is best known for his novels Money (1984) and London Fields (1989).
The book was widely praised upon publication. In The New York Times Book Review, critic A.O. Scott wrote that "the publication of Heavy Water, a gathering of nine stories, most of them published in this decade, nearly half in The New Yorker, provides a good opportunity to state plainly what has been apparent for some time: Martin Amis is the best American writer England has ever produced."
- for non-fiction books by the author. Pages in category "Books by Martin Amis" The following 11 pages are in this category, out of 11 total.
British novelist Martin Amis, who brought a rock ‘n’ roll sensibility to his stories and lifestyle, has died. Amis was the son of another British writer, Kingsley Amis. Martin Amis was a ...
The film is a loose adaptation of the 2014 novel by Martin Amis, and when Amis died last year, the obituaries agreed that The Zone of Interest was a high point amid late work that was – put ...
The Rub of Time: Bellow, Nabokov, Hitchens, Travolta, Trump: Essays and Reportage, 1994–2017 is a 2017 collection of non-fiction essays and criticism by the British author Martin Amis. It was his eighth nonfiction book and the final collection published during his lifetime. The book was first published on 21 September 2017, by Jonathan Cape ...
Money: A Suicide Note is a 1984 novel by Martin Amis.In 2005, Time included the novel in its "100 best English-language novels from 1923 to the present". [1] The novel is based on Amis's experience as a script writer on the feature film Saturn 3, a Kirk Douglas vehicle.
The Guardian's reviewer, Alan Hollinghurst, found "Yellow Dog a disturbing book, but its opening pages create a mood of excited reassurance: Martin Amis at his best, in all his shifting registers, his drolleries and ferocities, his unsparing comic drive, his aesthetic dawdlings and beguilements, his wry, confident relish of his own astonishing ...