Search results
Results From The WOW.Com Content Network
The three cross-beats, spanning 24 pulses, are represented as whole-notes below for visual emphasis. Three cross-beats across two main beat cycles (two measures). This is the cross-rhythmic ratio of 3:8, or within the context of a single measure, 1.5:4. (Play ⓘ) The following 24-pulse bell pattern is used in the Ewe rhythm kadodo. [30]
It can also be heard as 1-2-1-2 1-2-1-2-1-2. Essentially, it is the rhythm of the tambora applied to conga. In merengue típico (or cibaeño), the rhythm is usually more complex and less standardized; it can range from simply hitting the conga on a fourth beat to playing full patterns that mark the time.
Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as bongosero and often plays a continuous eight-stroke pattern called martillo (lit.
The timbale bell comes from a stick pattern (cáscara) used in the Afro-Cuban folkloric rhythm guaguancó. Timbale bell and bongo bell (bottom) in 3-2 clave. Timbale bell and bongo bell (bottom) in 2-3 clave. The following example shows the most common conga (two drums), timbale bell, and bongo bell pattern combination used in salsa music. [26]
The ensemble's rhythm section incorporated the maringa rhythm and traditional instruments, including a bass drum, a patengé, bells (reminiscent of maracas affixed to hunting dogs), double bells known as ekonga, a likembe, and modern instruments such as an accordion, a guitar, a mandolin, a banjo, and a rackett.
Leon "Chaino" Johnson (1927 – July 8, 1999, pronounced: "Cha-ee-no"), the self-styled "percussion genius of Africa," [1] was an American bongo player. After touring for several years on the Chitlin' Circuit, he released several albums and became popular with listeners of exotica music in the late 1950s and early 1960s.
In music of Afro-Cuban origin, tumbao is the basic rhythm played on the bass. In North America, the basic conga drum pattern used in popular music is also called tumbao [ citation needed ] . In the contemporary form of Cuban popular dance music known as timba , piano guajeos are known as tumbaos .
Tumbao rhythm is helpful for learning to dance contra-tiempo ("On2"). The beats 2 and 6 are emphasized when dancing On2, and the Tumbao rhythm heavily emphasizes those beats as well. The Montuno rhythm is a rhythm that is often played with a piano. The Montuno rhythm loops over the 8 counts and is useful for finding the direction of the music.