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Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. [2] Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque.
The first Islamic opaque glazes can be found as blue-painted ware in Basra, dating to around the 8th century. Another significant contribution was the development of stoneware originating in 9th-century Iraq. [13] It was a vitreous or semivitreous ceramic ware of fine texture, made primarily from non-refactory fire clay. [14]
Some pieces imitate earthenware, by painting a decoration on a white slipware. Others use cassiterite instead of tin in the glaze, which causes alterations, which the Susa soil, quite acidic, favors: the glazes turn gray after prolonged burial. Tripod jug, 8th - 9th centuries, Clay ceramic, decoration painted on clouded glaze, Louvre (MAO S.524).
The Museum of Islamic Art (MIA; Arabic: متحف الفن الاسلامى) in Cairo, Egypt is considered one of the greatest museums in the world, with its exceptional collection of rare woodwork and plaster artefacts, as well as metal, ceramic, glass, crystal, and textile objects of all periods, from all over the Islamic world.
[7] [8] [9] The Nasser D. Khalili Collection of Islamic Art includes 26,000 objects documenting arts from Islamic lands over a period of almost 1400 years. It was described in 1998 as "one of the largest and most representative collections of Quranic manuscripts in the world" [ 10 ] and is the largest private collection.
The Seljuk (Seljuq) Empire was a Sunni Muslim Turko-Persian empire that spanned over Anatolia to Central Asia between 1037 and 1194 until the Mongol invasion. Extending from Syria to India, diverse cultures made up Seljuk territory, and as Seljuk rulers adhered and assimilated into Persian-Islamic traditions, Seljuk artwork became an amalgam of Persian, Islamic, and Central Asian—Turkic ...
Ghada Amer (Arabic: غادة عامر; May 22, 1963, in Cairo, Egypt [1]) is a contemporary artist, much of her work deals with issues of gender and sexuality. [2] Her most notable body of work involves highly layered embroidered paintings of women's bodies referencing pornographic imagery.
Qajar art was the architecture, paintings, and other art forms produced under the Qajar dynasty, from 1781 to 1925, in Iran . The boom in artistic expression that occurred during the Qajar era was a side effect of the period of relative peace that accompanied the rule of Agha Mohammad Khan and his descendants.