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Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Solid casting does not use a clay core but instead a solid piece of wax to create the mould; hollow casting is the more traditional method and uses the clay core. [1] The first task in the lost wax hollow casting process consists of developing a clay core which is roughly the shape of the final cast image.
Much of the wax used in investment casting can be reclaimed and reused. [2] Lost-foam casting is a modern form of investment casting that eliminates certain steps in the process. Investment casting is so named because the process invests (surrounds) the pattern with refractory material to make a mould, and a molten substance is cast into the ...
His intent was to create jewelry incorporating a meaningful statement about form, texture, color, and image. He regarded his jewelry as compositions and the scale was determined by the human body. He embellished his compositions with moonstones and pearls. Skoogfors often used the lost-wax casting process. [3]
A bench jeweler is an artisan who uses a combination of skills to make and repair jewelry. Some of the more common skills that a bench jeweler might employ include antique restoration, silversmithing, goldsmithing, stone setting, engraving, fabrication, wax carving, lost-wax casting, electroplating, forging, & polishing. [1] [2]
Her work is cast in precious metals of gold, silver [1] and bronze [3] derived from the lost wax casting process. [1] [6] Each ring is displayed in a hand blown glass cloche dome and is elevated by an engraved base and armature to appear as if the ring is floating in mid-air.