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Eric Joshua Seall (born September 10, 1998), known professionally as Ace Aura, is an American DJ, music producer and remixer from McKinney, Texas. [1] He is known as a pioneer of the melodic riddim subgenre, which is characterized by the minimalistic rhythmic elements of riddim, with a heavy emphasis on chords, melodies and experimental sounds. [2]
"Sleng Teng" is the name given to one of the first fully computerized riddims, influential in Jamaican music and beyond. The riddim, which was the result of work by Noel Davey, Ian "Wayne" Smith, and Lloyd "King Jammy" James, was first released with Wayne's vocals under the title "Under Mi Sleng Teng" in early 1985.
Uses the original Sexy Lady Explosion riddim; Put It On Me Just Blaze Remix (feat. Brian and Tony Gold) Remix by Just Blaze; Riddim Driven Remix (feat. Brian and Tony Gold, Sean Paul, and Will Smith) Two versions of the remix exists: a new verse by Shaggy with an alternative beat; the original verse by Shaggy with a beatbox before Will Smith's ...
"Never Leave You (Uh Ooh, Uh Ooh)" is an R&B song written by Lumidee Cedeño, Teddy "Tedsmooth" Mendez and Eddie Perez, and features a prominent dancehall reggae riddim called "Diwali" written by Steven "Lenky" Marsden, [2] [3] although it is slightly altered from the original riddim.
A music video for the song was also filmed. Two officials remixes, one with reggaeton performer Ivy Queen and another with Fatman Scoop was also recorded and released in 2004. In 2016, the song was sampled in Zara Larsson 's song " I Would Like " and in 2017, the song was sampled in Pitbull and Jennifer Lopez 's song " Sexy Body ".
“A massive thank you to the first responders who saved my life on New Year’s Eve, the bystanders . . . and to the medical teams at Bellevue,” music programmer and DJ Joseph Lynskey said in a ...
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
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