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Christ Crucified (Spanish: Cristo crucificado) is a 1780 oil-on-canvas painting of the crucifixion of Jesus by Spanish Romantic painter Francisco de Goya.He presented it to the Real Academia de Bellas Artes de San Fernando as his reception piece as an academic painter.
Christ has both arms drawn a subtle curve, instead of forming a triangle. The loincloth is painted rather small, thus showing the nude body as much as possible. [1] The head shows a narrow halo, as if it came from the figure itself; the face is resting on the chest, showing just enough of his features. [1]
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Cimabue achieves a masterful handling of colour; medieval churches tended to be extremely colourful, with frescoed walls, painted capitals, and gold leaf paintings. [8] Pale tonalities dominate, with the main contrast found in the dark areas of Christ's hair and beard, which are utilised to make the features of his face stand out more and position his head as the focal point.
Giotto's Crucifix at Santa Maria Novella is a cross painted in tempera and gold on wood panel (578 x 406 cm) by Giotto di Bondone around 1290-1295. The crucifix is preserved in the center of the nave of Florence's Santa Maria Novella basilica.
Christ on the Cross is a 1627 oil painting on canvas by the Spanish painter Francisco de Zurbarán, now in the Art Institute of Chicago. [1]In 1626 Zurbarán signed a new contract with the Dominicans of San Pablo de Real Monastery in Seville to produce 21 paintings in 8 months.
The Crucifix by Cimabue at Arezzo is a large wooden crucifix painted in distemper, with gold leaf, by the Florentine painter and mosaicist Cimabue, dated to c. 1267–71.It is the earliest of two large crucifixes attributed to him. [1]
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