Search results
Results From The WOW.Com Content Network
As people were taken from Africa to be sold as slaves, especially starting in the 1500s, they brought their dance styles with them. Entire cultures were imported into the New World, especially those areas where slaves were given more flexibility to continue their cultures and where there were more African slaves than Europeans or indigenous Americans, such as Brazil.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
The Adumu dance is characterized by a sequence of jumps performed by the dancers, who stand in a circle and alternately jump in the air while keeping their bodies as straight and upright as possible. In addition to wearing vividly colored shúkàs (clothes) and beaded jewelry, the dancers are typically clad in traditional Maasai costume.
Agbadza is an Ewe music and dance that evolved from the times of war into a very popular recreational dance. [1] It came from a very old war dance called Atrikpui and usually performed by the Ewe people of the Volta Region of Ghana, particularly during the Hogbetsotso Festival, a celebration by the Anlo Ewe people.
Pygmy music refers to the sub-Saharan African music traditions of the Central African foragers (or "Pygmies"), predominantly in the Congo, the Central African Republic and Cameroon. Pygmy groups include the Bayaka, the Mbuti, and the Batwa. Music is an important part of Pygmy life, and casual performances take place during many of the day's events.
The music and line dancing is typical of Fula traditions, which have largely disappeared among the vast diaspora of Fula people, many of whom are educated, Muslim, urbanites. This is characterized by group singing, accompanied by clapping, stomping and bells.
Mapouka entered the music scene in 1991 following the 1990s creation of zouglou music and the importation of foreign music genres such as dancehall and hip hop, and grew in popularity among the youth. [1] The dance is mostly performed by women, [2] shaking their rear end side to side, facing away from their audience, often while bent over. Some ...
The xibelani dance (Shibelani, Shibelana, Shibelane) is an indigenous dance of the Tsonga women from Mpumalanga and Limpopo located in South Africa. The name of the dance comes from the native Xitsonga language and it can translate to "hitting to the rhythm", for example, the concept " xi Bela ni vunanga ".