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Diagram showing a single-camera setup. In filmmaking, television production and video production, the single-camera setup or single-camera mode of production (also known as portable single crew, portable single camera or single-cam) is a method in which all of the various shots and camera angles are taken using the same camera.
In television programming, the situation comedy or sitcom may be recorded using either a multiple-camera setup or a single-camera setup.Single-camera sitcoms are often notable for their enhanced visual style, use of real-world filming locations and in recent years, for not having a laugh track (most single-camera sitcoms from the 1960s contained a laugh track).
Another drawback is in the usage of recording capacity, as a four-camera setup may use (depending on the cameras involved) up to four times as much film (or digital storage space) per take compared with a single-camera setup. A multiple-camera setup will require all cameras to be synchronous to assist with editing and to avoid cameras running ...
An assistant producer often doubles as an experienced researcher, and takes direct charge of the creative content and action within a programme. The title of television director is usually reserved for dramatic programming, productions and most similar to films, or those who control a multi-camera set up from the gallery. Co-producer
The former is too generic and the latter is too cumbersome. I can't think of a good, descriptive title for a merged article. In contrast, the two original titles ("Single-camera set-up" and "Multiple-camera set-up") are commonly used and their meaning is widely understood.
The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.
A multi-camera setup recording a "bullet time" effect. Recording talent without the limitation of a flat screen has been depicted in science-fiction for a long time. Holograms and 3D real-world visuals have featured prominently in Star Wars, Blade Runner, and many other science-fiction productions over the years.
Some cameras include dedicated tally lights built into their bodies. In that case, the camera typically provides an input terminal for controlling the indicator. The common interfaces are SDI, Ethernet, USB, and HDMI (the latter's main role is outputting the video signal, but it can also accept a number of control commands).