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Kurt Schwitters, Das Undbild, 1919, Staatsgalerie Stuttgart. Collage (/ k ə ˈ l ɑː ʒ /, from the French: coller, "to glue" or "to stick together"; [1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.
Chine-collé print on vellum by Eugène Delacroix, 1828 Print on chine collé of a bookplate designed for William Corless Mills, c. 1917. Chine-collé or chine collé (French: [ʃin.kɔ.le]) is a printmaking technique in which the image is transferred onto a surface that is bonded onto a heavier support in the printing process.
Fruit Dish and Glass (1912), by the French artist Georges Braque, is the first papier collé (pasted paper, colloquially known as collage). [1] [2] Braque and Pablo Picasso made many other works in this medium, which is generally credited as a key turning point in Cubism.
Once inked, the plate becomes a tool for imprinting the design onto paper or another medium. The resulting print is termed a collagraph. The term "collagraph" was coined by Glen Alps in the 1950s, and is derived from the Greek word koll or kolla, meaning glue, and graph, meaning the activity of drawing. [2]
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Much as a collage is composed of multiple facets, artists also combine montage techniques. A series of black and white "photomontage projections" by Romare Bearden (1912–1988) is an example. His method began with compositions of paper, paint, and photographs put on boards measuring 8½ × 11 inches.