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Fall on your knees! O hear the angel voices! O night divine, O night when Christ was born! O night divine! O night, O night divine! Led by the light of faith serenely beaming, With glowing hearts by His cradle we stand. So led by light of a star sweetly gleaming, Here came the wise men from the orient land. The King of kings lay thus in lowly ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
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O Night Divine is a 1999 album by Trace Bundy. It comprises raw acoustic instrumental arrangements of Christmas songs. It comprises raw acoustic instrumental arrangements of Christmas songs. The album was re-released in September 2003.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Extended chords add further notes to seventh chords. Of the seven notes in the major scale, a seventh chord uses only four (the root, third, fifth, and seventh). The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a ...
Juan Fernando Ortega [2] (born March 2, 1957) [3] is a singer-songwriter in contemporary Christian music.He is noted both for his interpretations of many traditional hymns and songs, such as "Give Me Jesus", "Be Thou My Vision" and "Praise to the Lord, the Almighty", and for writing clear and easily understood songs such as "This Good Day".
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).