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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
un, una, or uno One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
The name, vaporetto, could be translated as "little steamer", and refers to similarly purposed ships in the past that were run by steam. Venetians call the vaporetto "un batèlo" or "un vaporino". The waterbus line is operated by Azienda del Consorzio Trasporti Veneziano (ACTV), the Venetian public transport system. The vaporetto is necessary ...
Bubblegum (also called bubblegum pop) is a pop music in a catchy and upbeat style that is marketed for children and adolescents. [13] The term also refers to a more specific rock and pop subgenre, [14] originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens ...
Chart-topper and related terms (like number one, No. 1 hit, top of the charts, chart hit, and so forth) are widely used in common conversation and in marketing, and are loosely defined. Because of its value in promoting recording artists and releases, both directly to the consumer, and by encouraging exposure on radio, TV, and other media ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Musical quotation is to be distinguished from variation, where a composer takes a theme (their own or another's) and writes variations on it.In that case, the origin of the theme is usually acknowledged in the title (e.g., Johannes Brahms's Variations on a Theme by Haydn).
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.