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The Blue Nudes is a series of collages, and related color lithographs, by Henri Matisse, made from paper cut-outs depicting nude figures in various positions.Restricted by his physical condition after his surgery for stomach cancer, Matisse began creating art by cutting and painting sheets of paper by hand; these Matisse viewed as independent artworks in their own right.
Black Leaf on Green Background (1952) is a collage by Henri Matisse.The medium is gouache and cut paper on paper. It is in the Menil Collection, Houston, Texas.During the early-to-mid-1940s Matisse was in poor health, and by 1950 he stopped painting in favor of his paper cutouts.
University of Michigan Museum of Art [11] Irene - Face: Irène - Masque: 1914 Etching on chine collé 8.25 cm x 5.72 cm Ann Arbor University of Michigan Museum of Art [12] Odalisque à la culotte rayée, reflectée dans la glace: 1923 Lithograph on paper 63.82 cm x 47.63 cm Ann Arbor University of Michigan Museum of Art [13]
Henri Matisse’s Jazz is a limited-edition art book containing prints of colorful cut-paper collages, accompanied by the artist's written thoughts. It was first issued on September 30, 1947, by art publisher Tériade. The portfolio, characterized by vibrant colors, poetic texts, and circus and theater themes, marks Matisse's transition to a ...
The Sorrows of the King is a collage using cut out paper shapes by Henri Matisse from 1952. It was made from paper he had coloured with gouache paint and is mounted on canvas. Its area is 292 x 386 cm. It was his final self-portrait. [1] During the early-to-mid-1940s Matisse was in poor health. By 1950 he stopped painting in favor of his paper ...
Beasts of the Sea (French: Les bêtes de la mer) is a paper collage on canvas by Henri Matisse from 1950. It is currently in the collection of the National Gallery of Art, Washington, D.C. [1] During the early-to-mid-1940s Matisse was in poor health. Eventually by 1950 he stopped painting in favor of his paper cutouts.
The Snail (L'escargot) is a collage by Henri Matisse. The work was created from summer 1952 to early 1953. The work was created from summer 1952 to early 1953. It is pigmented with gouache on paper, cut and pasted onto a base layer of white paper measuring 9'4 3 ⁄ 4 " × 9' 5" (287 × 288 cm).
However, these cut-outs were conceived as designs for stencil prints to be looked at in the book, rather than as independent pictorial works. At this point, Matisse still thought of the cut-outs as separate from his principal art form. His new understanding of this medium unfolds with the 1946 introduction for Jazz. After summarizing his career ...