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The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and
Items such as the Chrismon/Christmas tree and Advent wreath are placed in the church during the hanging of the greens ceremony. The hanging of the greens is a Western Christian ceremony in which many congregations and people adorn their churches, as well as other buildings (such as a YWCA or university), with Advent and Christmas decorations.
A Christmas tree inside a home, with the top of the tree containing a decoration symbolizing the Star of Bethlehem. [18]The Christmas tree was first used by German Lutherans in the 16th century, with records indicating that a Christmas tree was placed in the Cathedral of Strassburg in 1539, under the leadership of the Protestant Reformer, Martin Bucer.
Moravian stars in the Striezelmarkt in Dresden A Moravian star half assembled A completed Moravian star hanging by a church. A Moravian star (German: Herrnhuter Stern) is an illuminated decoration used during the Christian liturgical seasons of Advent, Christmas, and Epiphany representing the Star of Bethlehem pointing towards the infant Jesus. [1]
Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
Gerard David, Adoration of the Kings, National Gallery, London, circa 1515 Adoration of the Magi, Gentile da Fabriano, 1423. The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star ...
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
There is little record of the provenance of the Thomas set or the Butts set before 1852 and 1872, which has led to disputes about the dating. What is known is that the "Thomas set" was commissioned by the Reverend Joseph Thomas, [1] who had also commissioned illustrations to Milton's Comus and Paradise Lost from Blake.