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The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations. The complex design includes several sets of individual figures, both clothed and nude, which allowed Michelangelo to fully demonstrate his skill in ...
After painting the Creation of Eve adjacent to the marble screen which divided the chapel, [h] Michelangelo paused in his work to move the scaffolding to the other side. After having seen his completed work so far, he returned to work with the Temptation and Fall, followed by the Creation of Adam.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer .
The account in Genesis naturally credits the Creation to the single figure of God, in Christian terms, God the Father. However the first person plural in Genesis 1:26 "And God said, Let us make man in our image, after our likeness", and New Testament references to Christ as Creator (John 1:3, Colossians 1:15) led Early Christian writers to ...
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Art historians generally interpret this prime position as being because the story of Jonah (who was swallowed for three days by a large fish before being miraculously restored) was seen as prefiguring that of Christ's death and resurrection. [4] [5] The Prophet Jonah is opposite the fresco of the prophet Zachariah. [5]