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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
Suspense is a 1946 American ice-skating-themed film noir directed by Frank Tuttle and written by Philip Yordan. The film stars Barry Sullivan and former Olympic skater Belita . The supporting cast features Albert Dekker , Bonita Granville , and Eugene Pallette (in his final film role).
Film Director Year Country Ref(s). 13 West Street: Philip Leacock: 1962 United States [1] The 3rd Voice: Hubert Cornfield: 1960 United States [2] Afraid to Die: Yasuzo Masumura: 1960 Japan [3] All Night Long: Basil Dearden: 1962 United Kingdom [4] Alphaville: Jean-Luc Godard: 1965 France [5] Any Number Can Win: Henri Verneuil: 1963 France [6 ...
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
High Wall is a 1947 American film noir starring Robert Taylor, Audrey Totter and Herbert Marshall. It was directed by Curtis Bernhardt from a screenplay by Sydney Boehm and Lester Cole , based on a play by Alan R. Clark and Bradbury Foote.
Nino Frank was born in Barletta, in the southern region of Apulia, a busy port town on Italy's Adriatic coast.. In the late 1920s, Frank was a supporter of the Irish writer James Joyce, along with a circle that also included Moune Gilbert, Stuart Gilbert (who helped to make the French translation of Ulysses in 1929), Paul and Lucie Léon, Louis Gillet, and Samuel Beckett.
The Two Mrs. Carrolls is a 1947 American mystery film noir directed by Peter Godfrey and starring Humphrey Bogart, Barbara Stanwyck, and Alexis Smith.It was produced by Mark Hellinger from a screenplay by Thomas Job, based on the 1935 play of the same name by Martin Vale [3] (a pseudonym of Marguerite Vale Veiller).
Color film noirs were movies that followed the "film noir" style (crime themes, fatalistic outlook, etc.) during the noir "Classical Period" (1940-1959) but, instead of using B&W film stock they were shot in color, often Technicolor. Color noir films after 1959 became known as neo-noirs.