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Blackletter typefaces. Similar to Rotunda, the rounded Schwabacher types were nearer to handwriting than the former Textualis style, though it also includes sharp edges. The lower-case g and upper-case H have particularly distinctive forms. In the context of German language texts, Schwabacher appeared vibrant and popular.
Blackletter (sometimes black letter or black-letter), ... Schwabacher was a blackletter form that was much used in early German print typefaces. It continued to be ...
Some books at that time used related blackletter fonts such as Schwabacher; however, the predominant typeface was the Normalfraktur, which came in slight variations. From the late 18th century to the late 19th century, Fraktur was progressively replaced by Antiqua as a symbol of the classicist age and emerging cosmopolitanism in most of the ...
Johann Bämler's Schwabacher, Augsburg appeared in 1474. The half-Gothic Rotunda type of Erhard Ratdolt c. 1486 was cut to suit Venetian taste. In 1476 William Caxton, having learned his craft on the Continent, printed the first books in England with a so-called Bâtarde type (an early Schwabacher design), but soon abandoned it. [2]
The "German/Gothic script" (blackletter) was embodied by Fraktur. The Antiqua–Fraktur dispute was a typographical dispute in 19th- and early 20th-century Germany. In most European countries, blackletter typefaces like the German Fraktur were displaced with the creation of the Antiqua typefaces in the 15th and 16th centuries. However, in ...
This category contains Blackletter typefaces, including the varieties of textura, fraktur, rotunda, and schwabacher. Pages in category "Blackletter typefaces" The following 9 pages are in this category, out of 9 total.
Sütterlin is based on older German handwriting, which is a handwriting form of the Blackletter scripts such as Fraktur and Schwabacher, the German print scripts used at the same time. It includes the long s (ſ) as well as several standard ligatures such as ff (f-f), ſt (ſ-t), st (s-t), and ß (ſ-z or ſ-s).
For black letter type boldface was not feasible, since the letters were very dark in their standard format, and on (most) typewriters only a single type was available. Although letter-spacing was common, sometimes different typefaces (e.g. Schwabacher inside Fraktur), underlining or colored, usually red ink were used instead.