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A sub-genre of noir fiction has been named "rural noir" in the US, [15] [16] and sometimes "outback noir" in Australia. [17] [18] Many rural noir novels have been adapted for film and TV series in both countries, such as Ozark, No Country for Old Men, [15] and Big Sky in the US, [19] and Troppo, The Dry, Scrublands, [17] and High Country (2024) in Australia.
That same year, he co-authored his first picture book, Kid Noir: Kitty Feral and the Case of the Marshmallow Monkey, with Jessica Schmidt. The Running Press publishing company had approached Muller to write a children's noir book. He previously had written a children's story about a girl rescuing a stray cat, but it was turned down by ...
David L. Ulin had the idea for his pitch-dark new L.A. noir novel, 'Thirteen Question Method,' decades ago. But to write it, he had to live it first
Pulp noir is a subgenre influenced by various "noir" genres, as well as (as implied by its name) pulp fiction genres; particularly the hard-boiled genres which help give rise to film noir. [1] Pulp noir is marked by its use of classic noir techniques, but with urban influences. Various media include film, illustrations, photographs and videogames.
Hell Hath No Fury (1953), one of Williams's novels.. Williams's work is identified with the noir fiction subgenre of "hardboiled" crime writing.His 1953 novel Hell Hath No Fury—-published by the defining crime fiction company, Gold Medal Books—-was the first paperback original to merit a review from renowned critic Anthony Boucher of The New York Times.
Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans, a "combination of lowlife and high tech" [4] —and helped to create an iconography for the Information Age before the ubiquity of the Internet in the 1990s. [5]