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Table illustrating the kami that appeared during the creation of Heaven and Earth according to Japanese mythology.. In Japanese mythology, the Japanese Creation Myth (天地開闢, Tenchi-kaibyaku, Literally "Creation of Heaven & Earth") is the story that describes the legendary birth of the celestial and creative world, the birth of the first gods, and the birth of the Japanese archipelago.
Ame-no-ukihashi (天浮橋, [1] 天の浮橋; [2] English: Floating Bridge of Heaven) is the bridge that connects the heaven and the earth in Japanese mythology. [3] In the story of the creation of the Japanese archipelago, narrated in the Kojiki and the Nihon Shoki, the gods Izanagi and Izanami stood upon this bridge while they gave form to the world. [4]
In Japanese folklore, tsukumogami (付喪神 or つくも神, [note 1] [1] lit. "tool kami") are tools that have acquired a kami or spirit. [2] According to an annotated version of The Tales of Ise titled Ise Monogatari Shō, there is a theory originally from the Onmyōki (陰陽記) that foxes and tanuki, among other beings, that have lived for at least a hundred years and changed forms are ...
Kuebiko (久延毘古), the god of knowledge and agriculture, represented in Japanese mythology as a scarecrow who cannot walk but has comprehensive awareness. Kukunochi, believed to be the ancestor of trees. [22] Kukurihime no Kami (菊理媛神), a goddess enshrined at Shirayama Hime Shrine.
Godai (五大, lit. "five – great, large, physical, form") are the five elements in Japanese Buddhist thought of earth (chi), water (sui), fire (ka), wind (fu), and void (ku). Its origins are from the Indian Buddhist concept of Mahābhūta , disseminated and influenced by Chinese traditions [ 1 ] before being absorbed, influenced, and refined ...
In Orikuchiism, kishu ryūritan (貴種流離譚, lit. "noble wandering narrative") is a plot archetype found in Japanese folklore and Japanese literature. In these narratives, a hero is exiled from their society, faces a variety of trials and ordeals, and either returns to their society in triumph or dies in exile. [ 1 ]
It has no direct connection to the Gashadokuro, but is said to have influenced modern depictions. Kuniyoshi's print was commissioned in the Edo period by Santō Kyōden for a yomihon, depicting a scene in which Taira no Masakado's daughter, Takiyasha-hime, summons a skeleton yōkai to attack the samurai Ooya Tarou Mitsukuni. Although originally ...
Kangiten or Kankiten (Japanese: 歓喜天, "god of bliss"; [1] Sanskrit (): Nandikeśvara), also known as Binayaka (毘那夜迦; Skt. Vināyaka), Ganabachi (誐那鉢底, alternatively Ganahachi or Ganahattei; Skt. Gaṇapati), or more commonly, Shōten or Shōden (聖天, lit. "sacred god" [2] or "noble god" [3]), is a deva (ten) venerated mainly in the Shingon and Tendai schools of Japanese ...