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1410-1415 — Compilation of the Squarcialupi Codex, the largest source of trecento music. c. 1400-c. 1600 Italian Renaissance Music. c. 1420-c. 1490 — Composition of polyphonic music enters a slow period. More great Italian performers than composers are known from this time. Rise of the influential d'Este and Medici political dynasties.
In 1501, Ottaviano dei Petrucci published the Harmonice Musices Odhecaton, the first substantial collection of printed polyphonic music, and in 1516, Andrea Antico published the Frottole intablate da sonari organi, the earliest printed Italian music for keyboard. Italy became the primary center of harpsichord construction, violin production ...
Tableau of Italian composers, c. 1790, by Pietro Bettelini (1763–1829) This is a chronological list of classical music composers from Italy, whose notability is established by reliable sources in other Wikipedia articles.
Also spelled Inglott; two keyboard pieces in the Fitzwilliam Virginal Book; there is also an untitled keyboard piece by 'Englitt' in a MS in the British Museum Luca Marenzio: c. 1553 – 1599: Italian Girolamo Diruta: c. 1554 – after 1610: Italian Cosimo Bottegari: 1554 – 1620: Italian Rinaldo del Mel: c. 1554 – c. 1598: Franco-Flemish ...
Tomaso Albinoni (1671–1751), Venetian composer of opera and instrumental music, the "Adagio in G minor" is based on his works; Vincenzo Albrici (1631–1695/96) Giovanni Maria Alemanni (fl. 1500–1525) Raffaella Aleotti (c.1570 – after 1646) Vittoria Aleotti (c.1575 – after 1620), Raffaella's sister or possibly the same person
Francesco Landini, the most famous composer of the Trecento, playing a portative organ (illustration from the Fifteenth-century Squarcialupi Codex). The Trecento, from about 1300 to 1420, was a period of vigorous activity in Italy in the arts, including painting, architecture, literature, and music.
The relatively recent history of Italy includes the development of an opera tradition that has spread throughout the world; prior to the development of Italian identity or a unified Italian state, the Italian peninsula contributed to important innovations in music including the development of musical notation and Gregorian chant.
Sonata for keyboard D maj. Keyboard 36: 19 V/10: 32 in SBB P 804: 01140: 965 8. c.1714–1717 or earlier Sonata for keyboard after Reincken: A min. Keyboard 42: 29 V/11: 173 after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803: 01142: 966 8. c.1714–1717 or earlier Sonata for keyboard after Reincken: A min. Keyboard 42: 42 V/11: 188