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The caña de millo, flauta de millo or pito atravesao is a woodwind musical instrument of indigenous origin used in the cumbia music of Colombia's Caribbean coast. [ 1 ] It is made of carrizo cane ( Phragmites australis ), palm, millet, sorghum, or similar stalks, [ 2 ] forming a tube open at both ends, with a vibrating tongue (reed) cut of the ...
The Flute Sonata in D, Op. 94, is a musical work composed by Sergei Prokofiev in 1943. It was initially composed for flute and piano, and was later transcribed for violin as Op. 94a, both versions have been recorded several times. The piece contains four movements.
This is a list of the songs that reached number one in Mexico in 1994, according to the Notitas Musicales magazine with data provided by Radio Mil [1] (which also provided charts for Billboard's "Hits of the World" between 1969 and 1981). [2]
Issue Date Song Artist(s) Label Ref January 4 "Mi plegaria" César: Capitol [3]January 25 [4]February 1 [5]February 8 [6]February 15 [7]February 22 "¿Quieres ser mi amante?"
Todos Éxitos (2008) Un Cachito de Mí: Grandes Éxitos is the compilation album by Argentine singer-songwriter Diego Torres , it was released on June 15, 2008 through Sony Music .
1970 Varias maneras de hacer música con papel, for three or four groups of musicians; 1972 Basso Continuo I, for clarinet and tape, or 2 clarinets; 1972 Ludus metalicus, for saxophone quartet; 1974 Metáforas del amor, for guitar and tape; 1974 Música para tres pianos, for three pianos; 1974 Oda a la alegría, for guitar, piano, and percussion
The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a concerto by Wolfgang Amadeus Mozart for flute, harp, and orchestra.It is one of only two true double concertos that he wrote (the other being his Piano Concerto No. 10; though his Sinfonia Concertante for Violin, Viola, and Orchestra could just as well be considered a "double concerto"), as well as the only piece of ...
(The number three is highly significant in Freemasonry and recurs as the number of ladies, boys and temples.) [3] It transitions in an adagio to a lively fugue [4] in E-flat major. Halfway through, there is a false ending. After another three-chord brass sequence, the fugue resumes in E-flat minor, returning to E-flat major.