Ad
related to: cannonball jazz 1960 hits cd for sale on ebay motors parts used auto
Search results
Results From The WOW.Com Content Network
The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions." [2] The Penguin Guide to Jazz awarded the album 3⅓ stars, noting: "Them Dirty Blues debuts Nat's 'Work Song' in the band's book, as well as Bobby Timmons's 'Dat Dere'."
1960-02-01 1960-03-29 Them Dirty Blues: Riverside 1960 1960-05-21 1960-06-05 Cannonball Adderley and the Poll-Winners – with Wes Montgomery: Riverside 1960 1960-10-16 The Cannonball Adderley Quintet at the Lighthouse: Riverside 1960 Live 1961-01-27 1960-02-21 1961-03-13 Know What I Mean? – with Bill Evans: Riverside 1961 1961-02-28 1961-05 ...
The Penguin Guide to Jazz awarded the album 3½ stars stating "The Poll Winners session was a typical all-star meeting of the day, and if it seemed artificial at the time, how good it is to be able to hear, nearly 50 years on, Adderley, Montgomery and Brown in the same band. If there's nothing which could be called surprising, the opportunity ...
2 Album releases. 3 Deaths. 4 Births. 5 See also. ... This is a timeline documenting events of Jazz in the year 1960. Events ... This list of songs or music-related ...
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. [2] It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, [3] and was added to the Grammy Hall of Fame in 2021.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood ...
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955. [1] [4] The album, and its first track, are titled after the Café Bohemia a restaurant where, between 1955 and 1960, jazz live sessions were held.
This album also includes several notable jazz standards, a short interpretation of Lewis's piece "Venice" from the soundtrack to the film No Sun in Venice, the second recording ever made of what would become Evans's most famous composition, "Waltz for Debby," and a new Evans original, the title track, which producer Orrin Keepnews "christened ...