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Typography: An Encyclopedic Survey of Type Design and Techniques Through History. New York: Black Dog & Leventhal. ISBN 1-57912-023-7. Hartmann, Silvia (1998). Fraktur oder Antiqua. Der Schriftstreit von 1881 bis 1941 (in German). Frankfurt am Main: Peter Lang. ISBN 3-631-35090-2. Macmillan, Neil (2006). An A–Z of Type Designers.
A 1969 Swiss poster in International Typographic Style A 1959 Swiss poster. The style emerged from a desire to represent information objectively, free from the influence of associated meaning. The International Typographic Style evolved as a modernist graphic movement that sought to convey messages clearly and in a universally straightforward ...
Typography utilized to characterize text: Typography is intended to reveal the character of the text. Through the use of typography, a body of text can instantaneously reveal the mood the author intends to convey to its readers. The message that a body of text conveys has a direct relationship with the typeface that is chosen.
Caslon is the name given to serif typefaces designed by William Caslon I (c. 1692 –1766) in London, or inspired by his work.. Caslon worked as an engraver of punches, the masters used to stamp the moulds or matrices used to cast metal type.
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
The individual PANOSE digits are compared, weighted by their typographic importance, and summed to provide a numerical visual distance. Typographic importance is derived by assigning weights to each digit; for example, a font's weight (regular, bold, demibold, etc.) is more important than its contrast (difference between thick and thin strokes).