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In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied ...
The effect can vary substantially from one recording to another depending on the characteristics of the original unprocessed sound. The system "blurs" the focus of lead vocals or other sounds mixed to the center of a stereo recording. This is the main reason why Haeco-CSG was usually applied to recordings with bass positioned in one channel only.
In common usage, a "stereo" is a two-channel sound reproduction system, and a "stereo recording" is a two-channel recording. This is cause for much confusion, since five (or more)-channel home theater systems are not popularly described as "stereo", but instead as "surround". [clarification needed (see talk)]
Audio mixing is the process by which multiple sounds are combined into one or more audio channels. In the process, a source's volume level, frequency content, dynamics, and panoramic position are manipulated or enhanced. This practical, aesthetic, or otherwise creative treatment is done in order to produce a finished version that is appealing ...
A two-channel stereo recording contains a number of waveforms; sounds that are panned to the extreme left or right will contain the greatest difference in amplitude between the two channels, while those towards the centre will contain the smallest. A mix of the left channel with the polar inverse of the right channel will reduce centre-panned ...
If a stereo signal is to be reproduced in mono, out-of-phase parts of the signal will cancel, which may cause the unwanted reduction or loss of some parts of the signal. This can be an important factor in choosing which technique to use. Since the A-B techniques use phase differences to give the stereo image, they are the least compatible with ...
Mixing engineers typically begin with formal training in a music background, namely a degree in audio engineering or recording engineering. [1] Degrees in other relevant areas, such as those in music, or any working experiences gained outside academia can also help; for example, mixing engineers specialized in classical music may benefit from experience in performing in an orchestra to create ...
In audio production, a stem is a discrete or grouped collection of audio sources mixed together, usually by one person, to be dealt with downstream as one unit. A single stem may be delivered in mono, stereo, or in multiple tracks for surround sound. [1] The beginnings of the process can be found in the production of early non-silent films.