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Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science. Musicology is traditionally divided into three branches: music history, systematic musicology, and ethnomusicology. Historical musicologists study the history of musical ...
Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal.The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language.
Evolutionary musicology is a subfield of biomusicology that grounds the cognitive mechanisms of music appreciation and music creation in evolutionary theory. It covers vocal communication in other animals, theories of the evolution of human music , and holocultural universals in musical ability and processing.
In its most narrow definition, historical musicology is the music history of Western culture. Such a definition arbitrarily excludes disciplines other than history, cultures other than Western, and forms of music other than "classical" ("art", "serious", "high culture") or notated ("artificial") – implying that the omitted disciplines ...
Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...
In modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Guido Adler , however, in one of the texts that founded musicology in the late 19th century, wrote that "the science of music originated at the same time as the art of sounds", [ 3 ] where "the science of music" ( Musikwissenschaft ...
Most guqin books and tablature written before the twentieth century confirm that this is the origin of the guqin, although now it is viewed as mythology. In Chinese literature , the guqin dates back almost 3,000 years, while examples of the instrument have been found in tombs that date back to about 2,000 years ago.
Evolutionary musicology concerns the "origin of music, the question of animal song, selection pressures underlying music evolution", and "music evolution and human evolution". [53] It seeks to understand music perception and activity in the context of evolutionary theory .