Search results
Results From The WOW.Com Content Network
This is a list of African spirits as well as deities found within the traditional African religions.It also covers spirits as well as deities found within the African religions—which is mostly derived from traditional African religions.
The name Ardhanarishvara means "the Lord Who is half woman." Ardhanarishvara is also known by other names like Ardhanaranari ("the half man-woman"), Ardhanarisha ("the Lord who is half woman"), Ardhanarinateshvara ("the Lord of Dance (Who is half-woman), [1] [2] Parangada, [3] Naranari ("man-woman"), Ammaiyappan (a Tamil Name meaning "Mother-Father"), [4] and Ardhayuvatishvara (in Assam, "the ...
In some images she is shown as dark-complexioned, terrible in aspect, having a lion's face with reddened eyes and riding a lion or wearing black garments, she wears a garland of human skulls; her hair stands on end, and she holds a trident, a serpent in the form of a noose, a hand-drum and a skull in her four hands.
Shani is depicted wearing blue or black robes, having a dark complexion and riding a vulture or on an iron chariot drawn by eight horses. He holds in his hands a bow, an arrow, an axe and a trident. He is canonically represented riding on a large crow or vulture which follows him wherever he goes. [ 17 ]
Padmavati Temple, Tiruchanur. Padmavati (Sanskrit: पद्मावती, lit. 'she of the lotus'), also known as Alamelu Manga or Alar Melu Mangai, [1] [2] [3] is a Hindu goddess and the consort of the deity Venkateshwara, a form of Vishnu.
Madhubani paintings are mostly based on religion and mythology. In the paintings, Hindu Gods like Radha-Krishna and Shiva-Parvati are in center. Krishna and Radha are one of the favorite subject in Rajput paintings because they portrayed a theme that symbolized the desire of the soul to be united by god. In Rajput paintings, Radha is always ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The goddess is the central image of this mandala, which depicts scenes of dedication, ritual initiation, festive music, and dance associated with her worship. Its purpose is didactic (to teach). The mandala teaches the importance of worshipping Vasudhara primarily through the narrative of a non-believer whom she converted to belief.