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Eric Alfred Leslie Satie [n 1] (17 May 1866 – 1 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French ...
Some of Satie's early and/or unpublished works, as well as drafts and exercises, were published in the second half of the 20th century. These included (but were not limited to) the following collections: Gnossiennes 4-6 (1889-1897) Musiques intimes et secrètes, three pieces from 1906 to 1913: Nostalgie; Froide songerie; Fâcheux exemple
Erik Satie, circa 1919. Socrate is a work for voice and piano (or small orchestra) by Erik Satie.First published in 1919 for voice and piano, in 1920 a different publisher reissued the piece "revised and corrected". [1]
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It is a key work of Satie's "Rosicrucian" period (1891–1895) and played a role in his belated "discovery" by the French musical establishment in the 1910s. [2] Satie provided some 75 minutes' worth of music for Péladan's play, apparently intended for flutes and harps, and this represents his longest through-composed surviving score.
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Erik Satie in army uniform, 1893 painting by Marcellin Desboutin [1]. The Sarabandes are three dances for solo piano composed in 1887 by Erik Satie.Along with the famous Gymnopédies (1888) they are regarded as his first important works, and the ones upon which his reputation as a harmonic innovator and precursor of modern French music, beginning with Debussy, principally rests. [2]