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The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger
Haydn also produced numerous operas, masses, concertos, piano sonatas and other compositions. Haydn's works were catalogued by Anthony van Hoboken in his Hoboken catalogue . Unlike most other catalogues which sort works chronologically, the Hoboken catalogue sorts by musical genre.
Pages in category "Piano sonatas by Joseph Haydn" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. ...
The Piano Sonata in E-flat major, Hob. XVI/52, L. 62, was written in 1794 by Joseph Haydn.It is the last of Haydn's piano sonatas, and is widely considered his greatest. It has been the subject of extensive analysis by distinguished musicological personages such as Heinrich Schenker and Sir Donald Tovey, largely because of its expansive length, unusual harmonies and interesting development. [1]
It is intended to cover the composer's entire oeuvre and includes over 750 entries. Its full title in the original German is Joseph Haydn, Thematisch-bibliographisches Werkverzeichnis ("Joseph Haydn, thematic-bibliographic catalogue of works"). The Haydn catalogue that now bears Hoboken's name was begun in card format in 1934; work continued ...
Joseph Haydn: Hoboken, Anthony van (1978) [1957]. Joseph Haydn; thematisch-bibliographisches Werkverzeichnis. Mainz: B. Schott’s Söhne. ISBN 978-3-7957-0003-4. HV or Hob. The Hoboken-Verzeichnis was created in 1957. Haydn's string quartets are still generally referred to by their opus numbers. Michael Haydn: Sherman, Charles H. (1993).
The Piano Sonata in E-flat major, Hob. XVI/49, L.59, was written in 1789/90 by Joseph Haydn. The sonata stands out among Haydn's pianoforte works both for the enthusiastic reaction it has evoked from critics and for the rather complicated story behind its genesis, driven by the composer's feelings for a younger, married woman he had befriended.
This sonata was first officially published in London in 1783 by Beardmore & Birchall without Haydn’s knowledge, but copies had been circulating for several years earlier. [2] Haydn seemed to have made the piece not technically challenging, most likely due to the increased demand for pieces for amateur keyboard players in the 1770s. [3]