Search results
Results From The WOW.Com Content Network
Mark Ronson (pictured) is the lead artist and one of the composers of "Uptown Funk". After producing three songs for Bruno Mars's second studio album Unorthodox Jukebox (2012), Mark Ronson said in June 2014, that he and Mars planned on working together again.
George Edward Clinton [6] (born July 22, 1941 [7]) is an American singer, songwriter, record producer and bandleader. [8] His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on Afrofuturism, outlandish fashion, psychedelia, and surreal humor. [9]
In a video posted on YouTube, the group pays homage to their religion and takes their audience on a trip uptown to Manhattan. Watch These Seniors Perform "Uptown Funk" Six13 changed all of the ...
Since the late 1950s, Parliament-Funkadelic and the associated P-Funk musical collective, often referred to as the "Funk Mob," have included a large number of musicians and singers. While some of their contributions have gone uncredited, the following individuals and bands contributed to various P-Funk projects ; most of them have been credited ...
The Navy salutes its home base of Annapolis, Md., in a new parody of 'Uptown Funk' called 'Naptown Funk.'
The supermodel danced along while ex-husband Billy Joel performed “Uptown Girl” during a concert at his residency at New York City’s Madison Square Garden on April 26.
Rustee Allen (born March 3, 1951) is an American musician best known as the bass guitar player for the influential funk band Sly and the Family Stone from 1972 to 1975. Allen replaced founding Family Stone member Larry Graham, who was forced out of the band and went on to start his own, Graham Central Station.
Bassist Michael Henderson was a fixture throughout the recording sessions.. Recording sessions for On the Corner began in June 1972. Both sides of the record consisted of repetitive drum and bass grooves based around a one-chord modal approach, [7] [16] with the final cut edited down from hours of jams featuring changing lineups underpinned by bassist Michael Henderson. [8]