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Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. [ 1 ]
Within the noise, there is typically more pattern noise than level noise. Within the pattern noise, there is typically more stable pattern noise than occasion noise, which is often just a small share of the noise; stable pattern noise is typically larger than level noise on its own. This is all illustrated in Fig 2.
Graphical sound or drawn sound (Fr. son dessiné, Ger. graphische Tonerzeugung,; It. suono disegnato) is a sound recording created from images drawn directly onto film or paper that were then played back using a sound system.
This piece uses graphic notation and consists of lines of text where "." is a quarter note rest, "+" is a slightly resonant instrument made of wood, metal and glass, "O" is the sound of pouring or bubbling in water and crumpling and tearing paper, and "(" and ")" are also these sounds but cut in half, that is, sounded twice and always for the ...
Noisy Nora has also been reviewed by School Library Journal, [4] Booklist, [5] and Horn Book Guides [6] It is a School Library Journal Best of the Best book, [7] an American Library Association Notable Children's Book, [7] and a Choosing Books for Kids book. [7] A recording of the book is an ALA Notable Recording. [8]
Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," [1] a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers.
The book includes the manuscript for the Beatles song "The Word" (song lyrics, but no musical notation) from the Rubber Soul album (1965). The text of the book was created using chance procedures to determine which of the 269 composers would be asked to write about their work, and how many words each entry was to consist of.
Williams Mix (1951–1953) is a 4'16" electroacoustic composition by John Cage for eight simultaneously played independent quarter-inch magnetic tapes.The first piece of octophonic music, [1] [2] the piece was created by Cage with the assistance of Earle Brown, Morton Feldman, David Tudor, and Bebe and Louis Barron (who would later create the first all-electronic feature film soundtrack for ...